джаз

альбом a tribe called quest - tribe vibes vol. 1- 3 (104 трэка на все их темы откуда они брали сэмплы в основном с фанка и джаза) вот пример то что мне понравилось
sonny lester,weldon irvine,grover washington jr.,ramp,gary bartz,weather report...и так далее не всё конешно скачал но вот на темы э трабов - jazz,butter,bonita applebum,after hours,push it alone,check the rhyme,electric relaxation да.особено реальная вещь на миднайт марадёрс гуайд тур на вставки

Сорри.я тут как всегда че-то с комментарием нахимичила
Ну здоровский сборник должно быть!
А вот вопрос про сборник к Шейдс оф блю остается в силе-у кого-нить есть?

а чего с мэдлибом то у меня есть мэд либ - шэйдс оф блю 2003

2 Аня
не у меня не сэмплы а его альбом
кстати скажи какие твои любимые трэки a tribe called quest и я тебе залью сэмплы оригинала

da boogie писал(а):

2 Аня не у меня не сэмплы а его альбом кстати скажи какие твои любимые трэки a tribe called quest и я тебе залью сэмплы оригинала

Эмм...если честнор.то у меня их есть только целых 2 песни))))))
Чек Зе Райм и Джаз Вив год))))

нда не густо у меня 5 альбомов

Oscar Peterson -Two Originals: Walking the Line & Another Day(1970)

Цитата:

Jazz pianist and composer, born 1925 in Montreal, Canada. He began learning trumpet and piano from his father at the age of five, but by the age of seven, after a bout of tuberculosis, he concentrated on the piano. Some of the artists who influenced Peterson during the early years were Teddy Wilson, Nat "King" Cole, James P. Johnson and the legendary Art Tatum, to whom many have tried to compare Peterson in later years. In fact, one of his first exposures to the musical talents of Art Tatum came early in his teen years when his father played an Art Tatum record to him and Peterson was so intimidated by what he heard that he didn't touch the piano for over a week. He soon developed a reputation as a technically brilliant and melodically inventive jazz pianist, and became a regular on Canadian radio. His United States introduction was at Carnegie Hall, New York City in 1949 by Norman Granz; owing to union restrictions his appearance could not be billed. Some of his musical associates have included Ray Brown, Ben Webster, Herb Ellis, Ed Thigpen, Niels-Henning Ørsted Pedersen, Louis Armstrong, Stéphane Grappelli, Ella Fitzgerald, Clark Terry, Joe Pass, Count Basie, and Stan Getz. An important step in his career was joining impresario Norman Granz's labels (especially Verve records) and Granz's Jazz at the Philharmonic package, with which he was able to play with the major jazz artists of the time. Granz was also his manager for most of Peterson's career. Some cognoscenti assert that Peterson's best recordings were made for the MPS label in the late 'sixties and early 'seventies. For some years subsequently he recorded for Granz's Pablo Records after the label was founded in 1973 and in more recent years for the Telarc label. In 1993, Peterson suffered a serious stroke that weakened his left side and sidelined him for two years. However he has overcome this setback and is today still touring, recording and composing on a limited basis. In 1997 he received a Grammy for Lifetime Achievement and an International Jazz Hall of Fame Award, proof that Oscar Peterson is still regarded as one of the greatest jazz musicians ever to play.

http://www.flyupload.com/get?fid=6772651

2aня коржик,
Спасибо!
но уже пару дней пытаюсь скачать, у меня что-то не получается
вижу, что уже за это время было больше 40 скачиваний...
может есть какой-то секрет?

все получилось! думаю, что сайт загружен был

Отлично!(с)

Вашему вниманию предлагается Харисс....Эдди Харрис =)
Бест оф...+бонус та самая Итс алрайт нау.которая ещё семплом на Олрайт)


Потрясаюший тенор-саксофонист.его игра завораживает...вот уж не знаю чья композиция The Shadows of Your Smile///никто кстати не знает.это стандарт?
Но похоже на то.потому что я эту мелодию слышала от уличного музыканта,когда была в Польше)

Цитата:

Eddie Harris (October 20, 1934 - November 5, 1996), was an American jazz tenor saxophonist. Although he was one of the most popular jazz musicians of his day (and the first to receive a gold record), his inclusion in his repertoire of types of music other than jazz and his incorporation of comedy into his act led many jazz critics to consider him insufficiently committed to jazz. His experimentation with other types of music sometimes had questionable results, but many still regard him as one of the great jazz musicians. His first album for Vee Jay, Exodus to Jazz included his own jazz arrangement of Ernest Gold's theme from the movie Exodus. A shortened version of this track, which featured his masterful playing in the upper register of the tenor saxophone, was heavily played on radio and became the first jazz record ever to be certified gold. Many jazz critics, however, regarded commercial success as a sign that a jazz artist had sold out, and Harris soon stopped playing "Exodus" in concert. He moved to Columbia Records in 1964 and to Atlantic Records in 1965. At Atlantic in 1965 he released The In Sound, a bop album which won back many of his detractors. Over the next few years he began to perform on electric piano and the electric Varitone saxophone, and to perform a mixture of jazz and funk which sold well in both the jazz and rhythm and blues markets. In 1967 his album The Electrifying Eddie Harris reached second place on the R & B charts. In 1969 he performed with Les McCann's group at the Montreux Jazz Festival. Although they had been unable to rehearse, their session was so impressive that a recording of it was released as Swiss Movement, which became one of the best-selling jazz albums ever, also reaching second place on the R & B charts. From 1970 to 1975 he experimented with new instruments of his own invention (the reed trumpet was a trumpet with a saxophone mouthpiece, the saxobone was a saxophone with a trombone mouthpiece, and the guitorgan was a combination of guitar and organ), with singing the blues, with jazz-rock (he recorded an album with Steve Winwood, Jeff Beck, Albert Lee, Ric Grech, Zoot Money, and other rockers), and with comic R & B numbers such as "That is Why You're Overweight." In 1975, however, he alienated much of his audience with his album The Reason Why I'm Talkin' Shit, which consisted mainly of stand-up comedy, and public interest in his subsequent albums declined sharply. He continued to record into the 1990s, but his experimentation ended and he mainly recorded hard bop.

Слушать сюда http://www.flyupload.com/get?fid=7805396

У многих наеврное есть, но все же..



With A Song In My Heart 1963
Stevie Wonder

http://stream.ifolder.ru/1897979


Make someone happy!!

лето из коминг... вспомнился не Гершвин а Herbie Hancock почему-то)))

саммертайм... ммм... n the livin is easyyyy
Joni Mitchel - voc
http://ifolder.ru/2167646

с того же альбома
St. Louis Blues
Stevie Wonder - voc
http://www.sendspace.com/file/6vrxrp

и
It Ain't Necessarily So
James Carter - sax
http://www.sendspace.com/file/q2igf0

раритет от Аерса
Поклонники-трепещите!
"Lifeline" (1977)

Цитата:

Tracklist: 1. This Side Of Sunshine 2. Running Away 3. Gotta Find A Lover 4. I Still Love You 5. Lifeline 6. Cincinnati Growl 7. Fruit 8. Sanctified Feeling 9. Stranded in the Jungle 10. Together

http://www.flyupload.com/?fid=7113600
Тот самый винил,который ушёл к Марсель на др
Цените!

по-моему, это всё-таки больше к джазу относится...

итаг, Bill Laswell - Jazzonia



http://www.sendspace.com/file/2al5eq

RONNIE LAWS - Pressure Sensitive 1975
Отличный альбом,особенно трек tidal wave
http://www.zshare.net/download/4950468e03f935/